Writing brings out the mental illness in me. My wife can testify to this.
I’m in control of my behavior almost all the time. As Mark Twain said, “For business reasons, I must preserve the outward signs of sanity.” If I wake up to find my brain mired like a mammoth in tar, I can trick my brain into sucking itself free and stomping onwards across the plains. I rarely buy extravagant, useless things, because I have a rule. If I want to buy something that costs more than a couple of hundred dollars, I can’t buy it until I think about it for at least six months. I almost always follow that rule. Almost.
Judiciously applied chemicals are my friends. Free range chemicals and alcohol are not welcome in the home of my brain, apart from the occasional tequila shot or pomegranate martini. Come on, I’m not a nun or anything. But my best friend is me acting the way I want to feel, no matter how my brain tells me I feel, or at least doing my best to create the outward signs of sanity.
It works pretty well at this point in my life.
My wife refrains from trying to convince, trick, or bribe me into not behaving like a crazy person. It’s my job to take care of all this. She’s happy to help if I ask, and she demonstrates philosophical acceptance when I suddenly fill up the office closet with 30 gallons of bottled water, or when without warning I decide we need some more cats. Not only is she tolerant, she’s smart. If she tried to manage all this for me, I’d probably explode like a hand grenade.
Writing screws all this up. Well, not all writing causes problems. I can write a thousand words, declare success, and smile as I move on to something else. It’s the big projects that make me crazy. I’ve written three novels in the past three years, and the insanity they create goes like this.
I get an idea for something I want to write. It’s the best idea for a book that anyone’s had in the past 100 years, or maybe ever. I’m so excited that I talk to my wife about it almost every minute we’re together. I lay awake thinking about it and even consider waking my wife up in the middle of the night to talk about the greatness that is my idea. This goes on for about three days.
I begin the planning and research required to bridge the chasm between having an idea and writing words. I realize that my idea is rubbish. It’s less creative than a bucket of vanilla pudding. If brought to reality, it would be less popular than asphalt-flavored baby food. I feel shame. The only reason I keep working is that I talked it up so much to my wife I’d be embarrassed to never write a word of the thing. This goes on for about a month.
I start writing the first draft, expecting that after one chapter I can honorably surrender to the fact that my idea was horrible. After the first thousand words I find that I’m amusing myself, and I start to feel better about the project. I read the first chapter to my wife. She doesn’t say anything bad about it, which confirms my growing suspicion that it’s a work of magnificence. I begin laughing and hooting like a fool as I write, and I find I’d rather write than eat or sleep. This goes on until I finish the first draft, or about two to three months.
I put the manuscript aside to cool, planning to begin editing in about six weeks. Within 24 hours I realize that I was engulfed by irrational euphoria this whole time, and in fact my manuscript isn’t fit to wipe the ass of a sweaty heroin addict living in a ditch in Bangkok. I try to put this debacle behind me and concentrate on ideas for my next project, but I can only generate enough motivation to watch Saving Private Ryan and eat pie. This goes on for about two months.
Some grisly sense of obligation forces me to open the manuscript and pretend I’ll edit it before I trash it and funnel my creative urge into learning the ukulele. After reading three pages I can’t believe I’ve forgotten how brilliant it is. I perform several rounds of edits like one of those yipping dogs that never stops to sleep. I’m afraid that if I take a day off then the magical spell will be broken and I’ll once again see that the manuscript is just a snap-toothed yokel with mismatched shoes. This goes on for about six weeks.
The manuscript is finally as good as it’s going to get without an editor. I begin writing query letters, synopses, overviews, biographies, and the other artifacts that agents and publishers want to see. I become profoundly convinced that any agent would be more impressed if I just sent her an envelope full of fish guts. I grit my teeth and push on. I’ve come too far now. I’ll just send out the queries and then take my beating in cowed embarrassment.
Then it’s time to start a new project. And even though it means starting the cycle of crazy all over again, I don’t mind all that much. Not everybody get to experience three days of knowing that their book idea is absolutely the most perfect and radiant idea of the last century. It feels great. It’s entirely worth the subsequent months of the despair when you understand just how appalling your idea in fact was.
Really. I’m not joking.
Outward signs of sanity, dude.